One of Sensei Isa's top female students, shows the traditional use of the hairpin. It was easily removed and used as a very effective weapon. The author gets the point of the demonstration (far right)

 

The Karate and Dance Connection
After the talk about rank, the atmosphere became relaxed and Isa Sensei began to explain to me the connection between traditional Okinawan dance and Karamiti. He said Karamiti is what Karate used to look like before it became what it is today. There were no such things as high, middle, or low blocks; there were no horse, cat, or back stances, these were things that were developed to create a system called “Te” or “Ti.” The old Karamiti was lost at the time that Karate was openly introduced to the general public. (Unfortunately, during this meeting I did not get into details with Isa Sensei as to a timeline regarding this information. This is something that I plan to do the next time I meet with him.) Like weaponry, Karamiti was studied to defend and preserve life. After the Meiji restoration and the modernization of the country, people no longer needed to protect themselves as in the past. So, because the old ways of training were too severe and painful for the average person, this emphasis was gone. People were rejecting the old ways and the teachers of the time had to consciously formulate a system that was easier and safer to learn. This has also happened in America. Very few people today want to pay the price for that kind of training anymore. The old masters had to water down the old ways and make it more consumable.

Isa Sensei then began to link the old Okinawan dance to the Karamiti. He said that in the old days they couldn’t practice openly because of the Japanese ban on martial arts in Okinawa. So they began to incorporate Karamiti movements into the old dances and no one could tell that they were actually practicing fighting movements and thus were able to teach it to future generations. I had heard about this in history books and both my past teachers had mentioned it, so this wasn’t new. However, no one had ever actually demonstrated this to me in the flesh. In later training sessions in his dojo, Isa Sensei would show us a dance move and he would ask his assistant to punch, then Isa Sensei would do the same dance move as a multidimensional defense. It had a block, a strike, a joint lock, and finally a takedown. It was incredible to see a movement that was so smooth and beautiful in a dance, applied by someone who knew what they were doing, become such an awesome and effective movement of personal defense. For the first time I could actually see the connection between the old Karate and the old dance. It was a great connection for me because it filled a void that existed in my personal training. This is something that my Goju sensei, Shinjo Masanobu, told me, saying that the old timers had a form of self-defense that was now lost in Okinawa. He told me he had heard about it but he did not know it. Most if not all of the other senseis of his generation in Okinawa did not know it either. He added, we do our bunkai from a modern perspective, we did not learn the old bunkai of kata. Those old techniques died with the past generations, everything we have nowadays we had to basically make up and do the best job we could with what we had.

I believe that any honest karateka today can look at the curriculum he or she has been practicing for the last 10 or 20 years and say that something is missing. Analyzing what Isa Sensei had just told me about teachers taking a form of training and repackaging it to make it more palatable to the general public rang a bell in my head. I put two and two together and realized that what the old Okinawan masters did back then is what some GIs did upon returning to the U.S.A. after their tour of duty. We (non- Orientals) have been told by our Oriental teachers that we were not to change the katas or anything else. However, they themselves did what they told us not to do. We Americans have been doing this for years. We’ve done it for lack of information or because we only received the “tip of the iceberg.” Let’s face it, most GIs were in Okinawa one or two years, and there’s so much (or little) one can learn in such a limited time. Let’s not forget to also acknowledge that as in every culture, there are charlatans, and Okinawa is not immune to this human condition. Some Okinawan teachers who had very little training sold us Americans the Okinawan equivalent of the London Bridge.

Isa Sensei continued to tell me that it was foolish for today’s modern practitioners to practice 20 or 30 years worth of high and middle blocks. At face value, these techniques are not applicable in the real world. Eventually, we would have to find a way of defending ourselves in a system that was not so enclosed with such limited parameters.

In later training sessions, Isa Sensei proved everything he told me by actually demonstrating every point to me. He asked me to demonstrate my Goju, which I did, and he said that my Goju was very strong, “good kihon waza.” However, he added that this was no good for fighting. So I asked him to please show me, and so he did. He not only demonstrated on me, but on the other six members of my group. These men varied from 5’ 6,” 135 pounds to 6’6,” 285 pounds. Keep in mind that we are all seasoned Goju practitioners that are in excellent cardiovascular condition, and are physically very strong as a result of good Goju training. After Isa Sensei quickly dispatched me, he then took every member of my group from the smallest to the biggest and did the same with them. He would tap certain areas on their bodies and these big strong men would turn into jelly and then he would put them into a joint lock and take them down to the floor. It was very interesting to see that these techniques worked on everyone, it did not matter your size, weight, or strength. I shot hours of video of Isa Sensei effortlessly applying dozen of variations of these techniques. I can certainly say now without any hesitation that the void in my training is no more. I have found what I was looking for and it puts me right back in the place I’ve been before, that is, coming full circle, I am now ready to learn the old ways, so I am a beginner once again.

The Rest of the Trip

I spent two weeks training with Isa Sensei. We began around 8 PM and trained until 2 or 3 in the morning. During the day, he was busy tending to his priestly duties, and I kept my other appointments. I decided to pose a question to all the other senseis that I met: “Have you ever heard of Karamiti?” The responses I received were very interesting. When I met with Nakamoto Masahiro Sensei, he said he teaches it in his dojo and he gave me a little demonstration of his form of Karamiti, but he was nowhere close to Isa Sensei’s proficiency. When I asked Matayoshi Shinpo Sensei, he said he had never heard of it. Shimabukuro Zenpo Sensei said that Karamiti was a very old form of Karate that his father, Shimabukuro Zenryo (founder of the Seibukan), was very familiar with, but he himself was not. This was confirmation from other sources of what Isa Sensei had told me: some senseis had never heard of it, others had heard of it but didn’t know it, and still others know some it and teach it.

A very lovely looking Sensei Isa dressed as a woman with makeup during a traditional Okinawan dance demonstration.

Kaishu Isa seated next to his dance teacher as he receives his masters certificate for Traditional Okinawan Dance.

The author gives the traditional dance a shot

 

 

 

 

  


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