The
Karate and Dance Connection
After the talk about rank, the atmosphere became relaxed and Isa Sensei
began to explain to me the connection between traditional Okinawan dance
and Karamiti. He said Karamiti is what Karate used to look like before
it became what it is today. There were no such things as high, middle,
or low blocks; there were no horse, cat, or back stances, these were
things that were developed to create a system called “Te” or “Ti.”
The old Karamiti was lost at the time that Karate was openly introduced
to the general public. (Unfortunately, during this meeting I did not get
into details with Isa Sensei as to a timeline regarding this
information. This is something that I plan to do the next time I meet
with him.) Like weaponry, Karamiti was studied to defend and preserve
life. After the Meiji restoration and the modernization of the country,
people no longer needed to protect themselves as in the past. So,
because the old ways of training were too severe and painful for the
average person, this emphasis was gone. People were rejecting the old
ways and the teachers of the time had to consciously formulate a system
that was easier and safer to learn. This has also happened in America.
Very few people today want to pay the price for that kind of training
anymore. The old masters had to water down the old ways and make it more
consumable.
Isa Sensei then began to link the old Okinawan dance to the Karamiti.
He said that in the old days they couldn’t practice openly because of
the Japanese ban on martial arts in Okinawa. So they began to
incorporate Karamiti movements into the old dances and no one could tell
that they were actually practicing fighting movements and thus were able
to teach it to future generations. I had heard about this in history
books and both my past teachers had mentioned it, so this wasn’t new.
However, no one had ever actually demonstrated this to me in the flesh.
In later training sessions in his dojo, Isa Sensei would show us a dance
move and he would ask his assistant to punch, then Isa Sensei would do
the same dance move as a multidimensional defense. It had a block, a
strike, a joint lock, and finally a takedown. It was incredible to see a
movement that was so smooth and beautiful in a dance, applied by someone
who knew what they were doing, become such an awesome and effective
movement of personal defense. For the first time I could actually see
the connection between the old Karate and the old dance. It was a great
connection for me because it filled a void that existed in my personal
training. This is something that my Goju sensei, Shinjo Masanobu, told
me, saying that the old timers had a form of self-defense that was now
lost in Okinawa. He told me he had heard about it but he did not know
it. Most if not all of the other senseis of his generation in Okinawa
did not know it either. He added, we do our bunkai from a modern
perspective, we did not learn the old bunkai of kata. Those old
techniques died with the past generations, everything we have nowadays
we had to basically make up and do the best job we could with what we
had.
I believe that any honest karateka today can look at the curriculum
he or she has been practicing for the last 10 or 20 years and say that
something is missing. Analyzing what Isa Sensei had just told me about
teachers taking a form of training and repackaging it to make it more
palatable to the general public rang a bell in my head. I put two and
two together and realized that what the old Okinawan masters did back
then is what some GIs did upon returning to the U.S.A. after their tour
of duty. We (non- Orientals) have been told by our Oriental teachers
that we were not to change the katas or anything else. However, they
themselves did what they told us not to do. We Americans have been doing
this for years. We’ve done it for lack of information or because we
only received the “tip of the iceberg.” Let’s face it, most GIs
were in Okinawa one or two years, and there’s so much (or little) one
can learn in such a limited time. Let’s not forget to also acknowledge
that as in every culture, there are charlatans, and Okinawa is not
immune to this human condition. Some Okinawan teachers who had very
little training sold us Americans the Okinawan equivalent of the London
Bridge.
Isa Sensei continued to tell me that it was foolish for today’s modern
practitioners to practice 20 or 30 years worth of high and middle
blocks. At face value, these techniques are not applicable in the real
world. Eventually, we would have to find a way of defending ourselves in
a system that was not so enclosed with such limited parameters.
In later training sessions, Isa Sensei proved everything he told me
by actually demonstrating every point to me. He asked me to demonstrate
my Goju, which I did, and he said that my Goju was very strong, “good
kihon waza.” However, he added that this was no good for fighting. So
I asked him to please show me, and so he did. He not only demonstrated
on me, but on the other six members of my group. These men varied from 5’
6,” 135 pounds to 6’6,” 285 pounds. Keep in mind that we are all
seasoned Goju practitioners that are in excellent cardiovascular
condition, and are physically very strong as a result of good Goju
training. After Isa Sensei quickly dispatched me, he then took every
member of my group from the smallest to the biggest and did the same
with them. He would tap certain areas on their bodies and these big
strong men would turn into jelly and then he would put them into a joint
lock and take them down to the floor. It was very interesting to see
that these techniques worked on everyone, it did not matter your size,
weight, or strength. I shot hours of video of Isa Sensei effortlessly
applying dozen of variations of these techniques. I can certainly say
now without any hesitation that the void in my training is no more. I
have found what I was looking for and it puts me right back in the place
I’ve been before, that is, coming full circle, I am now ready to learn
the old ways, so I am a beginner once again.
The Rest of the Trip
I spent two weeks training with Isa Sensei. We began around 8 PM and
trained until 2 or 3 in the morning. During the day, he was busy tending
to his priestly duties, and I kept my other appointments. I decided to
pose a question to all the other senseis that I met: “Have you ever
heard of Karamiti?” The responses I received were very interesting.
When I met with Nakamoto Masahiro Sensei, he said he teaches it in his
dojo and he gave me a little demonstration of his form of Karamiti, but
he was nowhere close to Isa Sensei’s proficiency. When I asked
Matayoshi Shinpo Sensei, he said he had never heard of it. Shimabukuro
Zenpo Sensei said that Karamiti was a very old form of Karate that his
father, Shimabukuro Zenryo (founder of the Seibukan), was very familiar
with, but he himself was not. This was confirmation from other sources
of what Isa Sensei had told me: some senseis had never heard of it,
others had heard of it but didn’t know it, and still others know some
it and teach it. |
A very lovely looking Sensei Isa dressed as a woman
with makeup during a traditional Okinawan dance demonstration. |