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Isa
Sensei outdid himself for the next half hour by demonstrating more
intricate displays of this “Karamiti.” His assistant grabbed,
punched, kicked, swung, and just about did every kind of attack possible
from various angles. Isa Sensei first demonstrated from a sitting
position, then from a standing position. Isa Sensei calmly and swiftly
had Mr. Tamai at every turn face down on the floor in serious pain in
one joint-lock technique or another. This man was not only in pain, but
he was totally drenched in sweat. It was a funny sight to see, for he
was wearing a business suit and tie and he was punching and kicking in
full force. I was sweating just watching. Isa Sensei gave his assistant
instructions to grab here or there, punch to the face or to the body.
However, he also allowed Mr. Tamai to attack at will with any technique
whatsoever. The variations he used were continuous. To do this in a
small enclosure from a distance of about 3 feet, not having the
spaciousness of a dojo, was truly amazing. Isa Sensei was in full
control of this man. He threw Mr. Tamai around the room yet nothing was
disturbed or broken. Throughout the demonstration, nothing was overdone,
Isa Sensei was in complete control putting Mr. Tamai in a position where
there was just enough applied pain to force him to tap out. I was to
find out later how Mr. Tamai felt when these same techniques were to be
applied on me.
I wondered why he was even showing this to me. In all my years of
training under some very notable teachers as well as having seen Judo,
Aikido, Jujutsu, and Taijutsu, I had never seen anyone apply joint locks
with such ease and speed and afflict so much pain in such a short time.
I said to myself at that moment, “I would love to study whatever this
is!” I was so impressed by this small Okinawan master that my original
reasons for visiting Isa Sensei were long out of my mind. After he
finished the demonstration, Isa Sensei said this was what he called “Karamiti.”
I told him that in the time I had spent on Okinawa, I had seen every
style available; seen dozens of demonstrations; shot hours of video;
even my Goju sensei, Shinjo Masanobu, had taken me to many private
events, training sessions, and demonstrations that were not open to the
public, yet I had never seen nor heard of “Karamiti.” So I asked him
dozens of questions about its history, others who knew the system,
whether or not there was a systematic way of learning it, and so on. Isa
Sensei said that it was getting late and we should make another
appointment to continue. At that moment, I realized that I had told my
team of black belts that I would return in half an hour and it was now
four hours later.
A New Weapons Connection
During the meeting, I noticed that there were dozens of weapons hanging
on the living room walls. Isa Sensei had sai, kama, tonfa, nunchaku,
etc. ... and they looked old. As an ardent weapons practitioner, I
couldn’t leave without asking about them. He talked about each of them
briefly and then handed me a pair of very old and extremely heavy sai
and said Ufuchiku Sensei confiscated them from a bandit. Until now,
Ufuchiku was just the name of some katas and a picture of a man I had
seen in history books. I was beginning to realize more and more that
this connection I was making with Isa Sensei was more than just another
meeting with another Okinawan sensei. I felt a bond with him. I felt I
could trust and respect him and, to my delight, I felt the same in
return from him.
Isa Sensei told me about his lineage and historical connection to
Ufuchiku Kobujutsu. Isa Sensei was the third generation of the Ufuchiku
line. He had inherited the whole weapons system and Karamiti. During the
transmission ceremony, his sensei, Kina Shosei, had passed down to him
these sai that had belonged to Ufuchiku Sensei. Isa Sensei then told me
a little about his martial arts experience. Isa Sensei began to practice
Karate at age three and was taught by his grandfather in the village of
Shimabukuro. He had two teachers after that who were both students of
Ufuchiku Sensei, Kina Shosei and Tokashiki Saburo. At age eight, he
became a student of Kina Shosei of the same village. From Kina Sensei he
learned Shorin-Ryu Karate and Ufuchiku Kobudo. Kina Shosei was a very
small man and a soft and kind person.
Isa Sensei’s third teacher, Tokashiki Saburo, was a very large and
powerful man who was very strict and harsh in his training. Tokashiki
Sensei taught Isa Sensei the practical bunkai for the Kobudo and
Karamiti systems. Tokashiki Sensei was also a student of Ufuchiku Sensei
but there are no pictures of him in any known history books. This is
because during one of the training sessions that Tokashiki had with
Ufuchiku Sensei, Ufuchiku accidentally cut his face open diagonally from
forehead to chin with a sword. Tokashiki survived but not without a very
nasty scar. After this, Tokashiki Sensei understandably became camera
shy. He forbade any pictures be taken of him. Once, Isa Sensei took a
picture of him and Tokashiki Sensei ripped the camera from his hands and
proceeded to tear it into pieces. Tokashiki Sensei admonished Isa to
never do that again, and Isa wisely promised that he would not.
Isa Sensei began to show me pictures of him with Kina Sensei accepting
the title of third generation soke. Then he showed me a picture of a
very lovely, nice looking woman dressed in traditional Okinawan clothing
posing in a movement from a classical dance. As I was looking at it, I
asked myself, “Why is he showing this to me.” Then Isa Sensei told
me that it was him! He told me that he also has master’s rank in
traditional Okinawan dance or “mai” and is the inheritor of that
dance tradition as well. He then showed me another picture and a
certificate. This picture was of him and his dance teacher accepting the
title of soke and his master’s certificate.
A Very Serious Talk
To understand what happened next, I need to explain some feelings that I
had stirring inside me while all this was going on with Isa Sensei.
After the Pre-World-Championships, I was very angry and disappointed.
The championships were a fraud, it was the worst thing I had ever seen.
There was systematic cheating on Okinawa’s part and a person had died
during the competition. It was a total flop and a disgrace.
Our conversation turned to the subject of rank. I told him that my rank
was earned by working and sweating very hard. I asked him how he felt
about people buying rank from Okinawan senseis. I told him that Okinawa
had become a paper mill of high-ranking diplomas. Isa nodded in
affirmation and said, “You’re right, some Okinawan senseis have sold
out.” He said, “You train hard, you get rank,” it was as simple as
that. What truly blew me away is that he said that no money would ever
be exchanged between us. He was not interested in money for his lessons.
It was at that very moment that I made a deep connection with Isa
Sensei. I saw in him the old virtues that we all read about in the
history books. I was very emotionally involved in the subject of this
conversation. After losing both of my teachers who were truly great men,
I was not sure if there was anyone left in Okinawa that I could call
Sensei again.
However, as I sat in front of this man who was being honest and open
with me, showed no vanity about the fact that he was a legitimate 10th
dan, and had shown me more in half an hour than I had learned in years,
I thought, “Maybe there is someone left on Okinawa worth following.” |
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Left: Kanagusuku Ufuchku, born May 7, 1829, died Oct.
13, 1920 at the age of 91. He was employed by the last Emperor of the
Ryukyu Kingdom as a bodygaurd and was also the Shuri Chief of Police.
Right: Shosei Kina, born January 5, 1981 at the age of 99. At the age of
20, Kina began training with Ufuchiku Sensei for 18 years untl
Ufuchiku's death. |
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Sensei Isa demonstrates a technique of hiding the
short blade of the Tinbe behind the shield. In this case the shield also
serves as a hat. Using the shield to block the blade is suddenly thrust
into an attack. |

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